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- <text id=94TT0226>
- <title>
- Feb. 21, 1994: The Arts & Media:Show Business
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1994
- Feb. 21, 1994 The Star-Crossed Olympics
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- THE ARTS & MEDIA, Page 73
- Show Business
- The Man Behind the Monster
- </hdr>
- <body>
- <p>Debonair and demonic in Schindler's List, Ralph Fiennes wins
- Oscar's notice, and everyone else's
- </p>
- <p>By Richard Corliss--Reported by Georgia Harbison/New York
- </p>
- <p> Amon Goeth, commandant of the Plaszow death camp, strides into
- the basement of his barracks mansion and sees his maid, the
- lovely Jewish internee Helen Hirsch (Embeth Davidtz). He had
- chosen her as window dressing for the mausoleum he runs, but
- her strength and grace have touched him. For a crucial moment,
- on the face of actor Ralph Fiennes, evil pauses to consider
- itself. Could I have a decent feeling? Could I love this base
- creature, this beautiful thing, this Jewess? Just as quickly,
- and subtly, Fiennes' face tells us no. Goeth's fists flail out,
- not so much at Hirsch as at the recognition that he is doomed
- to solitude by his wickedness.
- </p>
- <p> More than anything else in Steven Spielberg's Schindler's List,
- this potent, poignant scene illuminates the moral stupor of
- the totalitarian heart. And the performance has made an instant
- star of an actor previously known only in Britain. Already Ralph
- Fiennes (the name is Welsh and rhymes with safe signs) has a
- Golden Globe Award, a New York Film Critics Circle citation
- and, as of last week, an Oscar nomination as Best Supporting
- Actor for his work in Schindler's List. In September moviegoers
- will see him as Charles van Doren, that fallen savant of '50s
- TV, in Robert Redford's much touted Quiz Show. After that, who
- can say? Spielberg can: "If he picks the right roles and doesn't
- forget the theater, I think he can eventually be Alec Guinness
- or Laurence Olivier."
- </p>
- <p> He is already--and this is creepy, considering the quicksilver
- brutality of his Goeth--a burgeoning sex symbol. Doughy and
- dark in the movie or slim, handsome and smiling in person, Fiennes,
- 31, is the improbable hunk.
- </p>
- <p> The real Amon Goeth was no hunk. But he was an artist of evil--grandly deranged, creatively sadistic. He would set his dogs
- on children and watch them be devoured. "The people he whipped,"
- Fiennes says, "had to keep count of the strokes. If they lost
- count, the whipping started from the beginning."
- </p>
- <p> How could anyone live inside this monster's skin for the three
- harrowing months of filming? Perhaps for so mesmerizing a role,
- the question must be, How could any actor not want to? "In playing
- Amon," says Fiennes, who put on 28 lbs. for the part, "I got
- close to his pain. Inside him is a fractured, miserable human
- being. I feel split about him, sorry for him. He's like some
- dirty, battered doll I was given and that I came to feel peculiarly
- attached to."
- </p>
- <p> Fiennes is as reluctant to discuss his personal life as he is
- ready to analyze Goeth's. But it is no state secret that he
- was born in Suffolk, eldest of the six children of Mark Fiennes,
- a farmer turned photographer, and his wife, Jini a novelist
- and travel writer who died last year. His family moved often,
- and the boy was educated by Episcopalians, Catholics, Quakers
- and his mother. After graduation from London's Royal Academy
- of Dramatic Art, he rocketed through the British repertory system.
- Then he attracted the best kind of attention: Spielberg's.
- </p>
- <p> The director saw Fiennes in the TV film A Dangerous Man: Lawrence
- of Arabia and then in a remake of Wuthering Heights. "His Heathcliff,"
- Spielberg says, "was a feral man, a kind of grownup Wild Child."
- He met Fiennes and tested him for Goeth. "Ralph did three takes.
- I still, to this day, haven't seen Take 2 or 3. He was absolutely
- brilliant," the director says. "After seeing Take 1, I knew
- he was Amon." In Fiennes' eyes, Spielberg says, "I saw sexual
- evil. It is all about subtlety: there were moments of kindness
- that would move across his eyes and then instantly run cold."
- </p>
- <p> During last winter's grueling shoot in Poland, Fiennes vacuumed
- up nuggets of Goethiana from every source: newsreels, Thomas
- Keneally's Schindler novel, testimony by the Schindler Jews.
- But he needed no research to feel the chill of hatred in his
- bones; simply by appearing in his Nazi uniform he enlisted volunteers
- of bigotry. "The Germans were charming people," a sweet-faced
- woman told him. "They didn't kill anybody who didn't deserve
- it."
- </p>
- <p> When Fiennes, in full Hauptsturmfuhrer regalia, was introduced
- by Spielberg to Mila Pfefferberg, a Schindler survivor depicted
- in the film, the old lady trembled. "Her knees began to give
- out from under her," Spielberg recalls. "I held her while Ralph
- enthused about how important it was for him to meet her--and
- she vibrated with terror. She didn't see an actor. She saw Amon
- Goeth."
- </p>
- <p> In that malevolently malleable face, the world's filmgoers are
- seeing Goeth. And soon, in what looks like the blooming of a
- brilliant career, they may even get to see Ralph Fiennes.
- </p>
-
- </body>
- </article>
- </text>
-
-